"You've got this point where you're going through and it's shredding your nerves, and then suddenly it erupts … and you know you've got nowhere to go if you've taken the player up and up and up … you just drop it and make something that's absolutely still and sad and beautiful. "It's also got to be beautiful, really really beautiful," Pinchbeck elaborates. It has these weird sounds that you can't quite place, this weird grinding." I love the Klute soundtrack, which I haven't watched in ages and really made an impression on me. "With music as well – I really wanted to make the sound of the machine, and that kind of feeling – that grating sound … Uneasy, and just kind of gets under your skin. "Sam Justice did an amazing job with the sound design," Curry says. The nuances of the soundtrack were carefully thought out to unsettle the player, to toy with their nerves. This is not surprising to me as Curry and Pinchbeck seem sharply intellectual, and interested in the latent power of narrative to create loathing, fear, dread. A Machine for Pigs provides a lasting imprint on players that somehow is more psychologically manipulative. The developers' deep intelligence about how stories can manipulate the mind shows very much in their work. Either, 'I loved it,' or 'it's shit', in your emails, in your in tray, but to have so many people come back and say: 'Oh, it's got a really … insidious crawl to it.'" " 'I've finished it and found it wasn't like the original Amnesia, I felt quite ambivalent about it, quite hostile about it,' and they've written back about three, four, five days later and gone, 'Oh god, that still really … That still really got under my skin.' And that's really interesting to me to have people write twice. "And that's what's really interesting about all the emails I've been getting," says co-director Curry, responsible for the unsettling soundtrack. This new kind of horror hasn't leant itself to the YouTubers who flourished on the drama of publishing video of The Dark Descent's jump scares.
#Amnesia a machine for pigs skin
So making a game that would get under people's skin in quite a deep level … What's interesting is a game that scares you while you are playing it, and what's really interesting is a game that scares you after you've finished playing it." That's not horror - that's just jump scares. And we really shared that in the early conversations with Frictional as well - they were really anti-jump scares. "There was a distinction in our mind between making a horror game and making a game with jump scares in it. "We wanted to make a horror game," Pinchbeck explains. It's really a matter of how the developers interpreted the genre.
#Amnesia a machine for pigs Pc
Released earlier this year on PC and Mac, Amnesia: A Machine for Pigs has been no less divisive, especially among fans of the original Amnesia title – particularly because the sequel departs from the idea of jump scares and shock, and goes for a nihilistic, languishing, pervasive horror, the sort that stains your memory and has you lie awake at night, long after the game has been turned off. And yet Pinchbeck, the lead designer and writer of the game, was at that time doing his doctorate on first-person shooters primarily because he adores the genre. Though it was meant to be an experiment in fragmentary, restrained philosophical storytelling through beautiful environments, some self-proclaimed gamers saw it as a direct attack on the first-person shooter genre, unworthy of existence alongside the unchallenged might of their favourite action games. Founded by Dan Pinchbeck and Jessica Curry in 2010, it is famous for its experimental first-person exploration game Dear Esther, a critically polarising adventure that detractors famously wanted to label 'not a game'. It was an interesting problem.Īnd the Chinese Room is an interesting studio.
So when Frictional asked Brighton-based developer the Chinese Room to come onboard to make the sequel to the original, the team knew they had to make something different – and yet somehow similar to its predecessor. That game was popular for its jump-scare qualities, its ability to frighten in small intense doses, to elicit squeals from players and the makers of online Let's Play videos. It's the sort of trouble that often hits the sequel to a beloved title, in this case Frictional Games' Amnesia: The Dark Descent. Horror game Amnesia: A Machine for Pigs has had some PR trouble.
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